Berlin, Germany
→ IMDB
Composer and sound artist
from a small island on the west coast of Canada, currently based between Berlin and Montreal.
Noah Sherrin is a composer and sound artist from a small island on the west coast of Canada, now based between Berlin and Montréal. His work spans music and sound design for linear and interactive media, experimental music releases, site-specific sound installations, digital lutherie, and location recording projects. Selected credits include The Days (Netflix Japan), Transformers: Beyond Reality (Meta4 Interactive), and Kanaval (Yzanakio).
His music (as Noah Rosa) is concerned with environmental devastation, collective myth, the sublime, and nebulous spirituality. His recent EP The two headed dragon of forgiveness (evo-natura, 2025) explores the spectral landscape of Northern Vietnam through dense dronescapes that flow through eroded field recordings and textural samples of local musicians. Other recent releases include Drawing a circle (Coffin Texts, 2022) and The radiant tower (Reset Networks, 2021). His debut audiovisual work, HAVEN, was premiered at the Melted Film Festival 2024 in Eindhoven and shown at Millennium Film Workshop in Brooklyn, NY for Between a Frame and a Soft Place.
He currently works for virtual instrument platform FFOSSO, sister company of Orchestral Tools, as an instrument designer and community manager. From 2020 to 2024 he worked with LaHacienda Creative as a composer, producer, and engineer for video games, series, and immersive installations as well as with LaHa’s virtual instrument creation sector, Mntra, as Lead Product Designer for over 20 instruments and effects plug-ins.
In spring of 2022 he participated in the Labratoire de Musique Contemporaine de Montréal, collaborating with a group of international artists to present a new audio/visual work, as well as presenting a panel on Cybernetic theory’s applications in music composition and performance. In the spring/summer of 2024 he was an artist in residence in World Creation Studio’s CO/CREATE program, creating new audiovisual works for VR. He was awarded the 2024 SOCAN Emerging Screen Composers Awards for Best Original Theme for Sirius (Jean-Bastien Niyigaruye).
Recently he has shared a new performance project ANTHELION HYMNS for Sounds in Space at Akermus and World Creation Studio at Eastern Bloc. Using only improvised arpeggione as a sound source and a handmade spatial looping software, an immersive web of sound is spun around the audience. He facilitates the ongoing performance series, Liquid Stone, dedicated to live improvised expression.